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Author: cgerrish

Unemployed philosopher

The Ombudsman: Understanding Wisdom, Power, the Weak and the Marginalized

Roses for Stalin

There’s a lot of capital invested in “the wisdom of crowds” Web companies. This idea that “we” are smarter than “me” is generally a good one. I find the collaborative filtering that Delicious provides a great way to find new information on topics of interest, or to follow the link blogs of people of interest. Obviously there’s a big unexplored territory here.

Sometimes it seems as though the Web has no sense of history, no reference points outside itself. The concept of the “wisdom of crowds” seems to live in some kind of socialist realist illustration from the Soviet era. Happy, productive workers collectively producing the best of the best. The crowd’s idea is better than an individual’s—and you can make some money off of the value of that better idea. In this case when we say “the crowd” is “wise,” we give the crowd power over what counts as “wise.” And of course “wisdom” is always better, smarter, and by definition, more “wise.”

And yet, when you replace the word “wisdom” with the word “power” and start doing some reading you’ll immediately encounter the dark side of this concept. Elias Canetti’s Crowds and Power is one of the classics of the literature. Crowds, both consciously and unconsciously, create a dominant center and push things to the margins. (The opposite of The Long Tail) Sometimes this kind of filtering can be good and valuable, sometimes it can be cruel and dangerous. Instead of the Socialist Realist image of crowds, think of the image created by Billie Holiday in the song Strange Fruit. The crowd is a double-edged sword—it cuts both ways. The sword is real and the sword is sharp.

Jason Calacanis has a related problem with Mahalo. The wisdom of his editors creates the value of Mahalo’s search engine results pages. And there’s no question that Mahalo does create value. But if we replace the word “wisdom” with “power” we uncover the potential dark side of this concept. And that’s where we come to the concept of the Ombudsman.

If the future of the Web is really going to be filled with Social Networks and Distributed Editors filtering our experience, the future must also be filled with the Ombudman. Have the builders of these online filtering systems thought about how to make injustices right? Do they have an algorithm for that? Or is a human process of arbitration the only way to really set things right? Can this kind of process just be tacked on at the end? Shouldn’t it be an essential part of the structural design? Of course, the reason it’s not is that “justice” isn’t part of what creates value, rather it’s a pure expense. Although in the long run, it’s also part of what will make any such service a trusted authority. (See Reputation Management and Craig as Customer Service Rep)

It’s well understood what an Ombudsman is supposed to do, the question exposed by this little ramble of thought is: can an Ombudsman really provide a check and balance to the power of the crowd? Could an Ombudsman save Frankenstein’s monster from the crowd?

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Commodities: Word and Number Editors

With the release of Apple’s iWork, along with the continued improvement of Zoho and Google docs, it seems like word processors and spreadsheets are becoming commodities. Microsoft has kept users in the truck with their file format for years. Now they’ve opened up their format and the ecosystem is changing.

Except for some specific kinds of documents, I don’t really care which word processor or spreadsheet I use. I’d like them all to roughly work alike and have compatible file formats. The files should be stored in the cloud and I should be able to read and edit them with whatever tools are at hand.

It’s like the laptop computer. I no longer like carrying them around. No matter how small, laptops have become “transportable” and not “portable.” Give me either a smaller device like the iPhone, or let me access what I need from any where. In the future, I won’t need to own a my own computer or word/number editors. The data is mine and is valuable, the access and the tools will be commodities (or perhaps part of the commons).

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The Portable Web Page

Forrester recently released a report stating that the iPhone signaled the “beginning of the end of the moblile Web as we know it.”

iPhone

Some interpreted that to mean the Web would no longer need to be specially formated for small devices. The iPhone has the ability to view regular pages—and the user can scroll and zoom to what she’d like to see.

But we’re starting to see optimization for the iPhone. Facebook has just released an iPhone version. I think this is the real “beginning of the end of the mobile Web as we know it.” It’s not that there won’t be a special version of the Web optimized for mobile devices, it’s that we’ll see the Web optimized for iPhone. It’s about the browser, screen size and interaction models. iPhone allows a the creation of a richer portable Web experience, and Web companies are complying.

The question is: Is Apple and the iPhone creating the new standard for the mobile Web. And will other vendors respect the standard or move in other directions? (Potential future headaches for Web designers).

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Gypsy Technology: Gogol Bordello & Topo Gigio

I was watching Henry Rollins’s show on the Independent Film Channel last night. The interview was Gore Vidal and the music guest was Gogol Bordello, a gypsy punk band. To me it was a reminder of how much television has changed.

To have a show on one of the old three major broadcast networks was a big thing. What does it mean to have a show on one of 500 or 600 channels? And what does it mean now in the world of video podcasts? Which was more radical, The Ed Sullivan Show or The Henry Rollins Show? Ed introduced The Beatles to the country. Last night Rollins introduced Gogol Bordello to a small IFC cable audience. Although this is more similar to Sullivan introducing the little Italian mouse Topo Gigio to america. Mass media introduces the margins to the center.

I’m a sucker for gypsy music. I was very happy Henry Rollins made the introduction. Just as in Ed Sullivan’s day, media and technology is wonderful for introducing the new—which is not to be confused with the popular.

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