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Dr. Dre versus the Big Bad Algorithm

We're seeing some new shapes among the feudal technology stacks. Apple has made a couple of moves that puts them on the human side of the ledger. Yahoo seems to be following in that direction. Google and Facebook remain fully automated, and they've placed their bet on male software engineers, big data and algorithms.

A few years ago, as the stacks were establishing their hold on networked computing, Nicholas Carr asked “Does IT Matter?” The question occupied the spot between home-grown corporate technical systems and the eventual outsourcing to professional cloud-based services. In most cases utility computing in central networked data centers turned out to be a better investment than a local IT team cobbling together a custom application. If the technology in question wasn't a company's core business, it didn't matter. Outsource everything possible to a vendor who counted that service as a core competency.

The networked computing platforms that have battled so fiercely to be among the few left standing have learned a bittersweet lesson. The platform is just a blank sheet of paper, a surface ready to be inscribed. Its worth is minimal, in fact, Apple has begun giving away its newest operating systems. There's no value in an individual installation of the platform, it's only the platform as a whole that has value.

When the technical press looked at Apple's acquisition of Jimmy Iovine and Dr. Dre they didn't understand. The music service didn't have enough subscribers, the head phones weren't even among the best, nothing matched up with the dollar figures that were being thrown around. Non-engineers aren't acqui-hired, non-engineers are replaceable worker parts that merit commodity pricing. Sure these guys have “taste”, but that's not really worth anything. An algorithm can be built to easily reproduce something like their taste. In a reversal of Nicholas Carr's thought, the algorithmists asked “Do Human Factors Matter?”

Jimmy Iovine's response to the machine was that something was missing from the algorithmic output. Here's how Iovine put it:

“The sequencing of an album was very important. Music is made in bite-sized pieces, but you need an hour's worth of music for certain activities. The other guys have an algorithm. For some reason, these young people aren't understanding why they aren't getting the feel they're supposed to get. We said no, no, you're supposed to have the right sequence.”

What's the value of being able to create “that feel” across a networked computing platform? There doesn't seem to be an acknowledged economic value that can be applied to in creative people working at the platform level. The technologist and the financial analysts ask “where's the game-changing technology?” That's what Apple did with the iPod, iPhone and iPad. Where's the iWatch? Where's that next big thing? No one creates a game changing technology. Steve Jobs said it best and very simply many years ago.

“Things happen fairly slowly, you know. They do. These waves of technology, you can see them way before they happen, and you just have to choose wisely which ones you’re going to surf. If you choose unwisely, then you can waste a lot of energy, but if you choose wisely it actually unfolds fairly slowly. It takes years.”

You choose the wave. You don't invent the wave. In this new era of feudal technology stacks, the technology should intrude less and less. The technology, if it's well designed, should start to recede into the background. If you're noticing it, generally that's because it's broken. Finding the feel, creating the feel of, and within, the platform, that's the thing a machine can't come up with on its own. Or at least that's what we're about to find out. Will creative people who can operate at the level of a large platform (Dre, Iovine, Ahrendts, Deneve) be more successful than an algorithm that crowd sources, sorts and filters?



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