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Category: music

Against Perfection: Musicians no longer seem to know what music is

45 RPM Vinyl Record

For the record, music is not recorded music. A photograph of a painting is not a painting. A video of a play is not a play. Seeing a symphony in person is not the same as listening to a CD. In point of fact, the digital itself is a copy at it’s origin, it never inhabits time the same way as the performing arts. The digital replicates without effort, cost, talent or skill. Compare and contrast to performing music live, acting in a play, painting a new work.

Because a large industry has grown up around selling recordings, the recordings are often confused with the thing recorded. Of course there are recorded works that only exist as recordings and cannot actually be performed. Then there are records put out by musicians who can’t actually play their music live. But once these recordings exist in digital format, it’s nothing to make an extra copy or two. Or ten thousand or a million.

The great thing about music is that it’s different every time. That’s why we go to see plays and operas we’ve seen before, see bands we’ve seen before. It was the recording industry that taught consumers that there was only one version of a song, the one they were selling. And that was the moment where musicians were cut off from their music. Recordings create an artificial kind of perfection that stands outside of life. Life is imperfect, filled with mistakes, errors, moments of passion and virtuosity. Recordings can simulate the depth of life, but cannot capture the living.

As the cost of making and distributing recordings continues to approach zero, musicians need to understand what the digital means to them. It could mean you’ve got many versions of the same song: the unplugged version, the one you did in Austin, the desperate one you recorded in that little club in New York. The one where that great harmonica player sat in and changed the way you thought about the melody. It could mean multiple mixes, it could mean letting the fans create their own mixes. Or even computer-generated random mixes. Let a thousand flowers bloom and capture all the beautiful moments of imperfection in all their glory.

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A Hawk and A Hacksaw: Modern Gypsy Music

The soundtrack to Fortunes of War has inspired a life long quest to find a certain kind of gypsy music. The latest stop on my journey is a very satisfying one. If you don’t know about A Hawk & a Hacksaw, click on the video above and listen. NPR’s The World also ran a nice story on the group. They hail from Albuquerque, but the music is in the tradition of the Hungary and Romania.

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Bergman’s Little World: The Toy Theater

The complete version of Ingmar Bergman’s Fanny and Alexander is stunning from the opening frame. Alexander peering through his toy theater sets the stage for the drama that unfolds. The theme of the “little world” and the “big world” that surrounds it continues to recur throughout the story. The little world is the extended family of the theater; the big world is larger world beyond their control. The story takes place in the years before World War I. 

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The Album Cover for a Digital Music Container

Bob Dylan’s Highway 61

Trent Reznor tried something similar to RadioHead, and didn’t like the results. In an interview with CNET he suggested an ISP tax that would allow all music to be downloaded for free. I suppose this would be like the tax that citizens of the UK pay to support the BBC. The tricky part about the kind of tax that Reznor suggests is distributing the monies collected. Who gets paid and how much? Distributed based on number of downloads? By what measure?

The music industry has done something like this before with CD-R discs. If you want to, you can buy CD-R Music discs on which to burn your music. They cost a little more, and the extra bit goes to the music industry to make up for lost revenue. But the fact is, a business needs to succeed in the marketplace. The music business needs to find a model that works with the new set of music containers and accompanying artifacts. Seth Godin points the way in his post entitled: Music Lessons.

They’re stuck on the idea of selling particular kinds physical of containers for music. It’s not just the music that people like to buy, it’s the stories and ephemera around the music. The one thing I miss about vinyl is the beautifully designed large record covers and the album notes. The digital container loses all meaningful context, there’s an opportunity there.

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