The Trumpian Wager

This presidential election will test the maxim that there's no such thing as bad publicity. The Republican candidate is operating on the theory that policy and issues don't matter. If the candidate can dominate the news cycle, meaning that he is the topic of more televised conversations than his opponent, he will win the election. He believes he's doing very well, and by his measure, he is. He dominates the national news every day and every night. He's all anyone can talk about. He's confident he can continue to dominate every news cycle between now and the election. Every voter in the country will have heard his name more than any other. No one has ever run a presidential campaign on that theory.

The reason the Republican candidate doesn't need to know any policy is because he only uses a single measure for his relative success or failure each day. If he's the lead story on a majority of national and cable newscasts, then he's won the day. He's quite right in saying that people will be writing books about his campaign. Critics of his methods miss the point. The more outrage they express, night after night, the more he believes he's winning.

The wager he's making is that the winner of the election will be the candidate who has the best ratings.

 

A Way of Offering Things to the World

pattern-man-books

Over the past months I’ve been watching, reading and listening to the poet Rick Holland prepare to release his new work: Pattern Man. It’s almost impossible to pick up an individual thread that would mark the beginning. All the nervous pacing back and forth, the throat clearing, the chance meeting, the phrase that leapt from a notebook, entered the eyes, exited the mouth, as the microphone cocked its ear dispassionately.

At some point you look up and realize that even you are in the middle of it. For me, it was listening pre-release versions of the audio tracks on my daily commute to work. On the tenth listen, it was as though I’d always known this music, this voice, these words floating through my consciousness as I sped down the freeway. The physical objects that herald the release of the work are now moving through the global postal system, making their way to an audience.

chrononautz

The Quietus has a nice interview with Rick Holland where he discusses both the poetry and the music in Pattern Man. I particularly like the section where he discusses his collaboration with Chrononautz, the live hardware techno improvisation outfit.

I really like space. Just responding to the sound, there was a groove there – an undeniable groove that I was drawn to – it wasn’t just straight four-to-the-floor.

To the uneducated – and I count myself in that group – looking at the table of gizmos that they’ve got, it’s quite hard to judge who’s doing what and how much control there is over the whole process. The joyful reality of it is: there isn’t that much control over it. It’s very hard to recreate the same conditions more than once and I am strongly interested in that as a way of offering things to the world.

There’s much more to say about Rick Holland and Pattern Man, but reading about this slightly out-of-control process embraced as a strongly interesting and joyful reality, makes me smile. This is strong poetry inscribed on the surface of improvised music. Music, as Yo Yo Ma and others, have said, is the space between the notes.

For some time now, poetry has enjoyed the stable surface of the blank sheet of paper. Rick Holland’s poetry challenges this convention. For Rick, the inscribed surface is always music.

You’ll want Pattern Man. Highly recommended. Get yours here.

Lithium for Gaia

They're out there now. Scouring the earth for the good lithium brine. That's the stuff that yields the white gold, the new petroleum.

Lithium is number three on your periodic table of elements. It's a soft, silver-white metal. Doesn't go around by itself, prefers compounds, primarily brines and clays.

Lithium salts are classified as a “mood stabilizer.” Apparently it decreases the risk of suicide in cases of bi-polarity. Naturally occurring lithium in drinking water has been credited with lower general rates of suicide.

The energy storage business (batteries) could be much larger than the electric car business. At the moment, that's a business based on mining the good lithium.

Bolivia has mineral-rich aquifers, so does Nevada and Wyoming. A few corporation control the business. Without lithium for batteries, electric cars don't go mainstream. And once they go mainstream, lithium will be essential for life as we know it.

We talk about the Permian and the Bakken, but soon we'll be talking about Wyoming's Rock Springs Uplift. It's all about the possibility of steady supply of cheap, high-quality lithium.

The human-dominated social space is about to get a big dose of lithium. I wonder how it will change us.

 

Uploading Knowledge

Every once in a while I hear that some “scientist” is working on a method to upload knowledge to the human brain. Ideally this would work like it did in the film “The Matrix.” A person needs to learn some sort of skill or master some area of knowledge, and rather than putting in hours of study and dedication. They upload the knowledge needed in a matter of seconds. Mastery is instant.

I wonder if knowledge is uploaded or downloaded? I suppose it depends on where you're standing.

What would knowledge have to be in order for it to be capable of being uploaded? What would a brain have to be in order to accept knowledge using this method?

In practice, if some process like this were ever to be created, it would look more like something by Philip K. Dick. Rather than uploading skills that increase a person's capability in the future, the market for downloading pleasant memories of a luxurious vacation to Mars would dominate.

Assuming you could lower the price sufficiently, everyone would upload everything. Why wouldn't they? “We can remember it for you wholesale.”

Of course, knowledge isn't like that. It's not uploadable. And brains aren't like that. They aren't computer hard disks.

 

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