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To Those Born Later

In english, sometimes the poem is called “Posterity” and other times “To Those Who Follow in Our Wake.” But in my edition of Brecht’s poems, it’s called “To Those Born Later.” It was written in 1939 during his exile in Denmark.

The poem is easily found on the web. It’s nothing to copy and paste it into a blog post. These days the poems of Bertolt Brecht, especially those from the late 1930s and 1940s, have a resonance so strong you can feel the vibrations emanating from the bookcase.

Rather than copying and pasting the text, I wanted the feel of the poem as it appeared character by character as I typed it on my keyboard. In these dark times, it’s difficult to talk of trees. Words fall into a riptide that pulls them rapidly out to sea. I imagine even the trees have difficulty talking of trees.

 

To Those Born Later
By Bertolt Brecht
I
Truly, I live in dark times!
The guileless word is folly. A smooth forehead
Suggests insensitivity. The man who laughs
Has simply not yet had
The terrible news.

What kind of times are they, when
A talk about trees is almost a crime
Because it implies silence about so many horrors?
That man there calmly crossing the street
Is already perhaps beyond the reach of his friends
Who are in need?

It is true I still earn my keep
But, believe me, that is only an accident. Nothing
I do gives me the right to eat my fill.
By chance I’ve been spared. (If my luck breaks, I am lost.)

They say to me: Eat and drink! Be glad you have it!
But how can I eat and drink if I snatch what I eat
From the starving, and
My glass of water belongs to one dying of thirst?
And yet I eat and drink.

I would also like to be wise.
In the old books it says what wisdom is:
To shun the strife of the world and to live out
Your brief time without fear
Also to get along without violence
To return good for evil
Not to fulfill your desires but to forget them
Is accounted wise.
All this I cannot do:
Truly, I live in dark times.

II
I came to the cities in a time of disorder
When hunger reigned there.
I came among men in a time of revolt
And I rebelled with them.
So passed my time
Which had been given to me on earth.

My food I ate between battles
To sleep I lay down among murderers
Love I practiced carelessly
And nature I looked at without patience.
So passed my time
Which had been given to me on earth.

All roads led into the mire in my time.
My tongue betrayed me to the butchers.
There was little I could do. But those in power
Sat safer without me: that was my hope
So passed my time
Which had been given to me on earth.

Our forces were slight. Our goal
Lay far in the distance
It was clearly visible, though I myself
Was unlikely to reach it.
So passed my time
Which had been given to me on earth.

III
You who will emerge from the flood
In which we have gone under
Remember.
When you speak of our failings
The dark time too
Which you have escaped.

For we went, change countries oftener than our shoes
Through the wars of the classes, despairing
When there was injustice only, and no rebellion

And yet we know:
Hatred, even of meanness
Contorts the features.
Anger, even against injustice
Makes the voice hoarse. Oh, we
Who wanted to prepare the ground for friendliness
Could not ourselves be friendly.

But you, when the time comes at last
And man is a helper to man
Think of us
With forbearance.

MOTTO
In the dark times
Will there also be singing?
Yes, there will also be singing
About the dark times.

Where’s Twitter’s Aksimet?

Why doesn't Twitter have something like WordPress's Akismet? Akismet is a plugin that filters spam by combining information about spam captured on all participating sites. It uses that information to generate rules to block future spam. I know that bad actors can easily create new Twitter accounts, but should also be easy for a large group of people to tag them in real time.

And I'd imagine if you can create an algorithm that can predict what you'd like to buy, surely an algorithm could be created to identify both hate speech and the speaker based on a few online real-time gestures. Identifying these storms of attacks, like the ones against Leslie Jones, is not too different from identifying the events that Twitter wants to sell advertising against.

Twitter valued being unfiltered at a certain point, but now the stream is quite polluted.

 

Networked Door Knocker

There's a television commercial making the rounds about a new type of home security. It's a new door bell that sports a video camera and ties into your home WiFi network. This allows you to answer your door from anywhere.

In the commercial, a bad guy rings the doorbell. He's surprised to find that someone answers. Confused, he stammers, “I'm giving free home painting estimates.” The homeowner, a woman, is out and about, but she's able to respond, “I'm bathing the children right now.” Foiled, the bad guy leaves.

It's a good thing bad guys don't watch television. If they did, they might learn to recognize this new networked door bell, and the kind of things people say to give the impression they're at home. Bad guys might also start listening to the background noise to check whether it's consistent with “being at home.”

“You say you're bathing the children, but it sounds like you're at a cafe. You really shouldn't keep your front door key under the flower pot. Have a nice day!”

I can see the value in a product like this. You could remotely respond to delivery services about whether it's okay to leave a package on the doorstep. Or when you're running a little late, it could be used to tell people you've agreed to meet that you'll be home in a few minutes. You could even give out Halloween candy to trick-or-treaters from a remote location.

A networked door bell has many uses, but home security isn't one of them. Especially if you give away the game in your sales pitch. Even though the Network has thoroughly woven itself into the fabric of daily life, we seem to have no idea how it works and what it's good for. The reality is, we barely understand the real impact of the telephone yet.

 

Carmen: Cigarette Girl, from the Future

I was introduced to the band Beauty Pill by Roman Mars on his podcast 99% Invisible. They have this song called “Cigarette Girl from the Future.” For the longest time, when listening, I imagined a movie from the 1940s with a nightclub scene. The Cigarette Girl walks in and out of the scene, she's never the hero of the story, but she's the subject of this song. When the cigarette girl appears, she's both fascinating and dangerous–much like a cigarette.

And then I was in the car listening to the opera channel on SiriusXM and they were playing Bizet's Carmen. Carmen is a cigarette girl from the future. She works in a cigarette factory and she knows that the daily grind of making cigarettes isn't her future. Strange connections.

Check out the cigarette girl, from the future

she's just as bored as you are

the cigarette girl from the future

is even more bored than you are

 

 

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