Archive for the 'ecology' Category

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Test Your Strength

test-strength

Sometimes there’s just a little glint of something in the sand. A quotation is brought in to the stream of the conversation and it’s meant to provide support for some point being put across in an answer to an interviewer’s question.

In Tim Bradshaw’s Financial Times interview with Larry Harvey, one of the founders of Burning Man, it’s the moment when he pulls Milton Friedman into the conversation. The question has to do with whether or not ideas from Burning Man have entered the larger culture. Harvey responds:

I’d like to mischievously quote Milton Friedman. He said change only happens in a crisis, and then that actions that are undertaken depend on the ideas that are just lying around.

I don’t know the origin of the quote or whether it’s accurate or not. While I didn’t have much use for the rest of the article, I did find the Friedman quote intriguing. On the one hand we could make the case that the ideas we find lying around are the result of some historical process and therefore predetermined by their predecessors. The other case is that these ideas are lying around for a variety of reasons. Some are bought and paid for, others are the result of conspiracy theories, some are just random trends. Probably the truth lies somewhere between the two. As I look around me at the ideas lying around, that one seems to fit the bill.

When we consider Friedman’s idea about crisis and action and apply it to global warming, we run into a problem of scale. According to Friedman, action occurs when we perceive the crisis. As the crisis reveals itself, we humans look to the ideas lying around and hope to find something that might serve to blunt its force. Global warming is a large wave overwhelming the biosphere. While it may not be possible to pinpoint the exact moment this wave began gathering its force, certainly it’s a trans-generational event. The patenting of the steam engine (1781) serves as a useful marker of global warming’s beginning.

Objects of this size and complexity have been given the name hyperobjects by philosopher Timothy Morton. Even our ability to directly detect the crisis is limited. We require a global network of sensors, computer climate models and a good measure of inference. The size and momentum of the global warming wave begs the question as to whether the ideas we might find lying around could possibly counter something of this size.

We look for an idea to counter strength with strength. We might believe through the use of leverage, physics and ingenuity we can create a force sufficient to provide an answer. Our instinct tells us that size and momentum of global warming must be overmastered.

In addition to the word “hyperobjects” Timothy Morton also has given us an idea of the value of “hypocrisy, weakness and lameness.” When confronted with something as large and powerful as global warming, perhaps we should take a different tack. Dinosaurs were the most powerful animals on earth during another global climate event. Strength didn’t result in survival. Perhaps as we look at the ideas lying around, we shouldn’t assume that it’s strength that will get us out of this crisis. To evade the power of a hyperobject, we may need to reverse our instincts and get small.

Lithium for Gaia

They're out there now. Scouring the earth for the good lithium brine. That's the stuff that yields the white gold, the new petroleum.

Lithium is number three on your periodic table of elements. It's a soft, silver-white metal. Doesn't go around by itself, prefers compounds, primarily brines and clays.

Lithium salts are classified as a “mood stabilizer.” Apparently it decreases the risk of suicide in cases of bi-polarity. Naturally occurring lithium in drinking water has been credited with lower general rates of suicide.

The energy storage business (batteries) could be much larger than the electric car business. At the moment, that's a business based on mining the good lithium.

Bolivia has mineral-rich aquifers, so does Nevada and Wyoming. A few corporation control the business. Without lithium for batteries, electric cars don't go mainstream. And once they go mainstream, lithium will be essential for life as we know it.

We talk about the Permian and the Bakken, but soon we'll be talking about Wyoming's Rock Springs Uplift. It's all about the possibility of steady supply of cheap, high-quality lithium.

The human-dominated social space is about to get a big dose of lithium. I wonder how it will change us.

 

Pattern into Pattern

PierreBonnard-Twilight

At the exhibition of paintings by Pierre Bonnard, called “Painting Arcadia,” there were about five rooms filled with work by the artist. Early in Bonnard’s career he belonged to a gang known as “Les Nabis.”

In the first room, there’s a painting called “Twilight, or The Game of Croquet.” This was one of my favorites. I only want to draw your attention to one thing. Look at the pattern on the clothing against the organic patterns of the garden. There’s no solid, dark line separating one pattern from the other. The patterns are distinct, but flow into each other. That’s a beautiful way to look at objects. And you may think this is a step too far, but it’s an ecological way of looking.

McBurney’s Encounter: Real-Time Complicity

simon

You are complicit. Or, you could be. We say this phrase from a stance of pure innocence. You didn’t personally commit an evil act, but some of your actions and attitudes are so resonant with this evil, that you must be complicit. Because I am not complicit, I can say that you are. But complicity is a slippery thing. It jumps the gaps and implicates us when we least expect it.

I like this definition:

Involvement as an accomplice in a questionable act or a crime.

As an “accomplice” your participation may be direct or indirect, but what I particularly like is this idea of a “questionable act.” An act of uncertainty—is it an evil act or not? “The Encounter?” Is it a questionable act?

We all have the opportunity to be complicit, in real time, on Tuesday, March 1, 2016, at 7:30pm GMT (11:30am PT). That’s when Simon McBurney’s extraordinary theater company, “Complicite” will perform “The Encounter” via live stream.

The cutting-edge technology of the virtual reality headset attempts to give you a virtual world in a bottle. But what McBurney and Complicite offer is more than that, they’re playing with the stuff of reality itself. The audience is required to wear a headset, but in this case, it’s a pair of headphones.

“…my hand, groping around the universe, has torn a corner open… why did I tear the corner open, if I’m not prepared for the encounter?”

Twenty years ago Simon McBurney was given a book.

Written by a Romanian who escaped the Ceaușescu regime to reinvent himself as a Los Angeles screenwriter, the book, Amazon Beaming, tells the story of photographer Loren McIntyre, who, in 1969, found himself lost amongst the remote people of the Javari Valley, on the border between Brazil and Peru. It was an encounter that changed his life: bringing the limits of human consciousness into startling focus.

Complicite’s technical team has wired the performance space with 600 pairs of headphones. Simon McBurney performs to a microphone that looks like your head. He whispers in this ear, then he moves around the space, and whispers in the other ear. (If you tune in to the live stream, be sure to wear headphones. That way you can experience “spooky action at a distance.”)

Here is a clip from The Guardian to give you an idea of what it’s like:

Judged purely as a sonic experiment, the show is an astonishing technical feat. Amiably chatting to the audience and asking us to put ourselves in the mind of McIntyre, McBurney asks us to don headphones that relay information from a binaural microphone. This results in a complex aural mix of live and recorded sound. At one point, we hear the whirr of the Cessna aircraft that deposits McIntyre in the jungle. At another, McBurney simulates the sound of walking through the forest by trampling on a mass of recording tape. But the heart of the story concerns McIntyre’s encounter with the nomadic Mayoruna tribe, and his dependence on his close relationship with the head shaman, known as Barnacle, with whom he communicates in a way that transcends language.

This is what real-time technology has the capability to create. But technology only gives what we ask of it. McBurney and the Complicite team ask for the moon, the stars, and the jungle. A work of this magnitude begs the question, who should be asking technology for the next new thing? Should it really be the technologists themselves?

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