To Those Born Later

In english, sometimes the poem is called “Posterity” and other times “To Those Who Follow in Our Wake.” But in my edition of Brecht’s poems, it’s called “To Those Born Later.” It was written in 1939 during his exile in Denmark.

The poem is easily found on the web. It’s nothing to copy and paste it into a blog post. These days the poems of Bertolt Brecht, especially those from the late 1930s and 1940s, have a resonance so strong you can feel the vibrations emanating from the bookcase.

Rather than copying and pasting the text, I wanted the feel of the poem as it appeared character by character as I typed it on my keyboard. In these dark times, it’s difficult to talk of trees. Words fall into a riptide that pulls them rapidly out to sea. I imagine even the trees have difficulty talking of trees.

 

To Those Born Later
By Bertolt Brecht
I
Truly, I live in dark times!
The guileless word is folly. A smooth forehead
Suggests insensitivity. The man who laughs
Has simply not yet had
The terrible news.

What kind of times are they, when
A talk about trees is almost a crime
Because it implies silence about so many horrors?
That man there calmly crossing the street
Is already perhaps beyond the reach of his friends
Who are in need?

It is true I still earn my keep
But, believe me, that is only an accident. Nothing
I do gives me the right to eat my fill.
By chance I’ve been spared. (If my luck breaks, I am lost.)

They say to me: Eat and drink! Be glad you have it!
But how can I eat and drink if I snatch what I eat
From the starving, and
My glass of water belongs to one dying of thirst?
And yet I eat and drink.

I would also like to be wise.
In the old books it says what wisdom is:
To shun the strife of the world and to live out
Your brief time without fear
Also to get along without violence
To return good for evil
Not to fulfill your desires but to forget them
Is accounted wise.
All this I cannot do:
Truly, I live in dark times.

II
I came to the cities in a time of disorder
When hunger reigned there.
I came among men in a time of revolt
And I rebelled with them.
So passed my time
Which had been given to me on earth.

My food I ate between battles
To sleep I lay down among murderers
Love I practiced carelessly
And nature I looked at without patience.
So passed my time
Which had been given to me on earth.

All roads led into the mire in my time.
My tongue betrayed me to the butchers.
There was little I could do. But those in power
Sat safer without me: that was my hope
So passed my time
Which had been given to me on earth.

Our forces were slight. Our goal
Lay far in the distance
It was clearly visible, though I myself
Was unlikely to reach it.
So passed my time
Which had been given to me on earth.

III
You who will emerge from the flood
In which we have gone under
Remember.
When you speak of our failings
The dark time too
Which you have escaped.

For we went, change countries oftener than our shoes
Through the wars of the classes, despairing
When there was injustice only, and no rebellion

And yet we know:
Hatred, even of meanness
Contorts the features.
Anger, even against injustice
Makes the voice hoarse. Oh, we
Who wanted to prepare the ground for friendliness
Could not ourselves be friendly.

But you, when the time comes at last
And man is a helper to man
Think of us
With forbearance.

MOTTO
In the dark times
Will there also be singing?
Yes, there will also be singing
About the dark times.

Everybody Must Get Stoned

Here’s another “pro tip” for the media. They seem to have trouble locating an appropriate frame for the antics of President Donald John Trump. They’re used to finding political and policy strategy when they look for it. This President is purely tactical; he exists from one moment to the next.

Here are two tactics that have been successful for him.

The first tactic is reducing the pressure on yesterday’s outrage with a new outrage today. These rolling outrages overwhelm the capacity of the media. Unable the prioritize or distinguish what’s important from what’s not, the media is rolled on a daily basis. This tactic can be used to set the agenda by driving the outrages into the direction of wedge issues. Since it’s not illegal to lie to the media, that’s the primary tactic. This tactic surprises the media over and over again.



The second tactic is manufacturing targets for his mob. You can find the perfect normalization of this tactic in Shirley Jackson’s short story “The Lottery.” In Jackson’s story the target for stoning is chosen by lottery while the whole community dutifully takes part in the event. In Trump’s world, to refrain from throwing stones is to succumb to political correctness.

Stoning is a method of execution during which a group of people, usually peers of the guilty party, throws stones at the condemned person until he or she dies. Death by stoning was prescribed in the Old Testament Law as a punishment for various sins. Both animals and people could be the subjects of stoning (Exodus 21:28), and stoning seems to have been associated with sins that caused irreparable damage to the spiritual or ceremonial purity of a person or an animal.

Hillary Rodham Clinton has been Trump’s target par excellence. Over the years, through an extended campaign, the mob has been given permission to throw stones at her. Anything is allowed in an attack on a person condemned to stoning. The reason Trump can’t let her go, even though the election has long since past, is that he hasn’t found a target that his mobs like as well. The other thing that made it work was that the mainstream media felt that they too had permission to throw stones at Clinton.

Trump’s Twitter attacks are the way he tests new targets. Currently he’s auditioning Colin Kaepernick for the role of scapegoat. The quarterback certainly seemed to fit the mold, although Trump’s run into some unexpected resistance. While initially the media was happy to throw stones at Kaepernick, recently they seem to have discovered the other side of the story.

The social madness of stoning is the primary metaphor of Trump’s political power. In some respects, this is why individual Republican politicians fear him. They understand that they could easily be the next target. It becomes easier to follow what Trump is doing once you realize that all he really wants is another good target for the stones of his mob. His search isn’t restricted by ideology or party loyalty, Trump is simply looking for the freedom to stone some person or group to death.



The Weaponization of Language

Just a quick note to help people, particularly the Media in the United States, to better understand what it means when language is weaponized—and especially what it means in the context of connected digital communication networks. While these techniques have been refined over many years in Russia and the former Soviet Union, they are somewhat new to mainstream American politics. This is not to say that these techniques haven’t been used over the years, but generally they’re employed around the edges. It hasn’t been possible, until recently, to move them to the center of a political communication strategy.

Certain tools are designed as weapons, for example: guns, knives, clubs, brass knuckles, bombs, poison gas. Each of these tools is specially constructed to inflict a certain kind of harm on its target. Now here’s another list of tools: a cast-iron frying pan, a fireplace poker, a baseball bat, a car, a brick, and an electrical current. Each of these tools has a proper use—a set of uses that humans understand through habit. All of these non-weapons have been used to commit murder in some mystery novel. Part of solving the mystery involves a detective envisioning an ordinary tool expressing its potential as a deadly weapon.

When language is used as a weapon—it’s deployed to inflict the maximum possible damage. The usual response to language used in this way is to say that it is neither true nor proper. While this may be a reasonable approach to language used to communicate, it has no effect on language when used as a weapon. It’s the equivalent of saying that the blow inflicted by a frying pan to the head of the victim was not a proper use of frying pans.

Much of the effectiveness of advertising is due to the frequency with which it is broadcast. If you see or hear an ad ten times a day for three months, it’s likely you will remember it for the rest of your life. Most of us can recite ad copy we heard in our childhood even when the product has long since disappeared from the shelves. To maximize the effectiveness of weaponized language, it must have high frequency. In political campaigns this is usually accomplished through producing negative attack ads and buying lots of radio and television time.

In the age of cable news and connected digital social networks, another strategy is possible. An attack is constructed that will harm the target using metaphors, statements and images. In itself, this isn’t enough to assure the attack will be retweeted frequently and universally (by all sides) throughout cable news, newspapers and social media networks. Two elements must be added to the attack, the first is that it should be demonstrably false. This will cause many media outlets to rebroadcast the attack, and then explain why it is false. If the attack is on the veracity of the media itself, many will discount the explanation. The second added ingredient is that the attack must break with ordinary decorum, it must cross a moral line. This causes many media outlets to rebroadcast the attack and explain why it is immoral. Each of these media responses is the equivalent of decrying the improper use of a frying pan in committing an assault.

The media becomes complicit in the attack because it serves as the force multiplier that maximizes the harm. That’s how “playing the media” works. And as the media chases its tail on obviously false sensational headlines, it loses its credibility on the serious investigations it’s doing. When a President has immunity through Republican majority in Congress, a free press is needed more than ever. The attacks on the media have escalated and the media seems blind to its own role in amplifying the harm that is done.

Song of Finitude

The song about humans and non-humans on the earth is of an undetermined length. Undetermined, but finite.

It doesn’t go on forever, but the last note isn’t a set number of beats away.

Right now we’re playing so far ahead of the beat that the song is starting to lose its shape.

Temporality
Tempo-
Rality
Tempo
Reality
Tempo changes everything

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